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Press release

LUMIERE

Strasbourg, 22 March 2002

The European Audiovisual Observatory confirms 2001 as an exceptional year for European cinema: market share for US films drops again to 66%

The European Audiovisual Observatory announces the update of its LUMIERE database on admissions to films released in Europe (http://lumiere.obs.coe.int).  The database, available on-line and free-of-charge, is the result of collaboration between the European Audiovisual Observatory and various specialised national sources as well as the MEDIA Programme of the European Union.  LUMIERE provides country-by-country analysis of admissions for almost 9400 films released in Europe since 1996.  2001 data for 14 countries is now available, including data for the major European Union markets and the United States.

 

The Top 20 films by admissions in the European Union - 2001

Provisional ranking based on data from 8 countries (Austria, Belgium, Germany, France, Italy, Spain, Sweden and United Kingdom)

 

Title
Producing Countries
Director
Admissions 
(in millions)

1

Harry Potter and the Sorcerer's Stone
US
Chris Columbus
39,3

2

Bridget Jones's Diary
GB / US
Sharon Maguire
24,7
3 The Lord of the Rings: The Fellowship of the Ring
US / NZ
Peter Jackson
20,2

4

Shrek
US
Andrew Adamson, Vicky Jenson
20

5

What Women Want
US
Nancy Meyers
19,8

6

Hannibal
US
Ridley Scott
16,9

7

American Pie 2
US
James B. Rogers
16,9

8

The Mummy Returns
US
Stephen Sommers
16,5

9

Cast Away
US
Robert Zemeckis
16,4

10

Pearl Harbor
US
Michael Bay
15

11

Planet of the Apes
US
Tim Burton
14,7

12

Jurassic Park III
US
Joe Johnston
13,7

13

Le fabuleux destin d'Amélie Poulain
FR / DE
Jean-Pierre Jeunet
13,2

14

Der Schuh des Manitu
DE
Michael Herbig
12,5

14

Lara Croft: Tomb Raider
US / GB / JP / DE
Simon West
11,8

16

The Others
ES
Alejandro Amenábar
10,3

17

Moulin rouge!
US / AU
Baz Luhrmann
9,5

18

Traffic
US / DE
Steven Soderbergh
8,4

19

The Emperor's New Groove
US
Mark Dindal
8,3

20

Scary Movie 2
US
Keenen Ivory Wayans
8,1

Source : European Audiovisual Observatory / LUMIERE database (http://lumiere.obs.coe.int/)

After FAF (AT), Le Moniteur du film en Belgique (BE), FFA (DE), ICAA (ES), Le film français (FR), Cinetel (IT), Screen Finance (GB), SFI (SE)

On the basis of available data, it can be confirmed that 2001 was an exceptional year for European cinema.  Market share for American films fell to around 66% (compared to 73.7% in 2000 and 69.2% in 1999).  Not since 1997 (65.8%) has there been a similar result.  Four European films figure among the Top 20: Le fabuleux destin d'Amélie Poulain, Bridget Jones's Diary and The Others all enjoyed successful careers on the majority of major European markets during 2001, while the German comedy Der Schuh des Manitu achieved 10.5 million admissions on the national market alone, but was also very successful in Austria and Switzerland.

The market share achieved by European films on the American market also showed an improvement at 4.5% as opposed to 3.6% in 2000. Nonetheless this market share is still less than those achieved by European films in 1999 (5.5%) and in 1997 (5.4%).

The Top 10 European Films by admissions in the United States and Canada  - 2001

 

Title
Producing countries
Directors
Admissions
(in millions)

1

The Others
ES
Alejandro Amenábar
17,9

2

Bridget Jones's Diary
GB / US
Sharon Maguire
13,3

3

Chocolat
GB / US
Lasse Hallström
12,5

4

Snatch
GB / US
Guy Ritchie
5,6

5

Captain Corelli's Mandolin
GB / FR / US
John Madden
4,7

6

Le fabuleux destin d'Amélie Poulain
FR / DE
Jean-Pierre Jeunet
3,0

7

Shadow of the Vampire
GB / US / LU
E. Elias Merhige
1,5

8

Sexy Beast
GB / ES
Jonathan Glaser
1,3

9

Billy Elliot (*)
GB
Stephen Daldry
0,9

10

Just Visiting / Les visiteurs en Amérique 
FR / US
Jean-Marie Poiré
0,9

(*) 3,1 millions admissions in 2000

Source : European Audiovisual Observatory after Variety

LUMIERE database : http://lumiere.obs.coe.int
European Audiovisual Obseravtory : http://www.obs.coe.int


Established in Strasbourg in December 1992, the European Audiovisual Observatory gathers, analyses and publishes information on the European audiovisual sector. A European public service organisation, it has 35 Member States and the European Union, represented by the European Commission, is also a member. The Observatory was created under the auspices of the Council of Europe and works with a broad network of partners, professional organisations and correspondents. Its main activities include contributing to conferences and creating publications, databases and a comprehensive Internet site.