16/02/2017 : Comunicato Stampa - Key Trends of the TV, film and VoD sectors to be presented in Strasbourg
European Audiovisual Observatory announces free public conference
The Strasbourg-based Observatory, part of the Council of Europe, will be taking a close look at the current key trends in the audiovisual industries on the 16th of March. This free entry public conference will focus on the major media trends of the moment such as the current boom in VoD services and its effect on the cinema industry, trends in TV advertising, increasing concentration of large pan-European media groups and also the implications of these developments for the European legal structure regulating these industries. The conference takes place from 14.30 – 17.00 at the Council of Europe in Strasbourg. All conference participants will receive a free copy of the Observatory’s latest Key Trends publication which provides a snapshot of the current media trends being examined. Register for free here. This conference is part of the Observatory’s 25th anniversary celebrations. Link to programme here.
13/02/2017 : Comunicato Stampa - Media Ownership, Market Realities and regulatory responses
The Italian media are currently fending off a so-called “French invasion”. A total of 177 takeovers of Italian companies by the French took place between 2012 and 2016, while Vivendi SA is currently fighting for power at Mediaset SpA and Telecom Italia SpA. In a climate of increasing media concentration, there has never been a better time to look at the gatekeepers and safeguards concerning media ownership in Europe. The European Audiovisual Observatory, part of the Council of Europe in Strasbourg, has just published a brand new study, Media Ownership, Market Realities and regulatory responses. This report asks how European and national legislation can protect media pluralism, whether this be in the form of a multitude of operators making available a large variety choice of programming, or indeed ensuring the transparency of the financing and ownership structures of the various media providers. (Bona fide journalists may obtain a free press copy by contacting firstname.lastname@example.org). Otherwise this new report can be purchased from our on-line shop here.
10/02/2017 : Comunicato Stampa - 2016 sees EU cinema attendance hitting biggest high since 2004
On the occasion of the 67th Berlin International Film Festival the European Audiovisual Observatory releases its first estimates for European cinema attendance in 2016. Building on a strong 2015, the Observatory estimates that total admissions in the European Union continued to grow, increasing by 1.6% to 994 million tickets sold in 2016. This is 16 million more than in 2015 and the highest level registered in the EU since 2004. Including non-EU territories in Europe, 2016 actually saw the highest admission levels of the past decades with estimated record admissions of over 1.27 billion tickets. (more)
Cinema attendance in the European Union 2007-2016 provisional
In millions; estimated; calculated on a pro-forma basis for the 28 EU member states
Source: European Audiovisual Observatory
The Circulation of European Films Outside Europe in 2015
Author: Martin KANZLER, European Audiovisual Observatory
This report focuses on the theatrical exploitation of European films outside Europe. The theatrical window is only one out of – broadly speaking – four market segments. Foreign TV, Video and VOD markets may also provide relevant market potential for European films but cannot be quantified due to intransparency of corresponding consumption figures.
This report can be downloaded for free here
27/01/2017 : Comunicato Stampa - Boosting European films on VoD – what’s EU law got to do with it?
New IRIS Plus report by the European Audiovisual Observatory free to download here
European films now get a longer lifespan thanks to their release via on-demand platforms, whatever their business model (subscription based, pay per view or advertising financed). Clearly this booming generation of new distribution channels represents a powerful means of boosting a film’s overall career. So it’s logical that European film makers are looking to on-demand services to give European movies a much needed shot in the arm. But what’s law got to do with it? Can European legislation force VOD services to offer a glitzy shop window to European films? The European Audiovisual Observatory, part of the Council of Europe in Strasbourg, focuses on this very question in a brand new report free to download:
13/01/2017 : Comunicato Stampa - The European Audiovisual Observatory celebrates its 25th anniversary this year with a new look and a new Presidency – Poland!
The European Audiovisual Observatory, part of the Council of Europe in Strasbourg, has launched the celebrations of its 25th anniversary this year. Kicking off with a brand new logo, the Observatory’s reports on the audiovisual industries in Europe, website and databases will all be given a radical re-design in the course of this year. (more)
6/12/2016 - The Observatory launches its new Yearbook Online Service 2016!
The Yearbook is our online service for data and analysis on television, cinema, VoD and home video in the European countries: market shares, services offered, financing and the main players in each branch of these industries.
The service contains three main sections: Data Sets, a comprehensive collection of statistical indicators, Country Profiles, describing the current audiovisual landscape in 40 European countries, and Key Trends, providing an overview of the recent trends and developments.
The service will be gradually completed until March 2017.
Data of the 2016 edition already available by the beginning of December cover:
- Pay TV
- Broadcasters’ revenues and audience
- Consumer revenues for SVOD, TV VOD Retail and TVOD rental
- Video: Equipment, Turnover, Transaction and Prices
- Global and European Players
- Public Service and Private Broadcasting
The Yearbook Online Service is available upon subscription (365€/single user, 790€ corporate), you will find all details in our shop.
14/11/2016 : Comunicato Stampa - Strasbourg Conference - Copyright Enforcement in the Online World
The Centre for International Intellectual Property Studies (CEIPI) and the European Audiovisual Observatory organise a joint conference at the Council of Europe in Strasbourg
Copyright enforcement online has been increasingly taking the centre stage in the policy debate on the future of copyright law in Europe. The ongoing EU copyright reform has been fuelling this debate even further. The delivery of paying content—as well as the ways we access culture—have clearly changed in the digital world. Creators, artists, musicians and film-makers, on the one hand, defend their legitimate right to reap the benefits of their work. Internet users and public at large, on their part, claim fundamental right to access information and culture online on fair terms and by means of more attractive business models. How can the current copyright laws respond to all these challenges? What should be the role of internet intermediaries in the enforcement of copyright online? And more generally in this context, how to combine effective protection with the principle of net neutrality?
The European Audiovisual Observatory, part of the Council of Europe, and the Centre for International Intellectual Property Studies (CEIPI) of the University of Strasbourg organised this joint public conference at the Council of Europe in Strasbourg —“Copyright Enforcement in the Online World”—from 14.00 till 17.30 on Tuesday 22nd of November). The conference gave an overview of the current state of copyright in the digital world.