Events

Diary of conferences and workshops

The European Audiovisual Observatory presents its work during numerous international conferences and workshops. Our Experts and Analysts are frequently invited to take part in events concerning the audiovisual industry. Every year the Observatory organises at least three of its own events, namely:

  • the biggest public event on cinema during the Cannes Film Market (May);
  • a conference in the country holding the Presidency of the Observatory (June);
  • an event in Brussels targeting industry representatives and European decision makers, members of the press and the academic sphere (November).

We announce Observatory events, also events where we are present on this page of our website as well as on our various social media platforms.

Current Events
 
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Films of the latest Observatory workshops and conferences

The European cinema sector - diverging paths? - 20 May 2023

FOCUS 2023: Key Trends in the Film Sector - 19 May 2023

 

Creators in Europe’s Screen Sectors – Sketching Present and Future Challenges - 7 June 2022

Latest news

Back European co-productions generated three times as many admissions as European national films over the last 10 years

New free European film production report by the European Audiovisual Observatory
European co-productions generated three times as many admissions as European national films over the last 10 years

 Download this free report: Film production in Europe - Production volume, co-production and worldwide circulation

This figure comes from a brand new free European co-production report just published by the European Audiovisual Observatory, part of the Council of Europe in Strasbourg. The report examines film co-production activity in Europe over the period 2007 – 2016.

Co-productions accounted for 24.2% of overall film production volume in Europe over the period 2010-2015 (23.8% when excluding GBinc productions – defined as a film produced in the United Kingdom (GB), for which the main producer is a United Kingdom-registered company which may be wholly or partially owned or controlled by a company based in a different country – usually the US). European co-productions generated 1,576 million admissions, i.e. 50.3% of overall attendance for European films during the period examined (34.9% when excluding GBinc films). In addition, European co-productions generated three times as many admissions as purely European national films.

A total of 39.5% of the films produced in Europe between 2010 and 2015 received a theatrical release in a country other than the main production country; for majority co-productions the figure rises to 62.9%, i.e. 1 464 films over the period analysed. On average, European co-productions circulate almost twice as widely as purely national productions (32.1%). The overall foreign release territories average for European co-productions was 6.43.

Strasbourg, France 14/02/2018
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