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Access to TV platforms: must-carry rules, and access to free-DTT

17/05/2016 Auteurs : Deirdre KEVIN & Agnes SCHNEEBERGER, Observatoire européen de l'audiovisuel

Ce rapport a été réalisé pour la Commission européenne en 2015 et examine comment les systèmes nationaux favorisent la livraison de certains types de contenus de télévision via les plateformes de distribution.

Mapping the Animation Industry in Europe (2015)

20/04/2016 Auteur: Jimenez M., Simone P., Kevin D., Ene L. and Talavera J. / European Audiovisual Observatory

Une nouvelle étude menée par l'Observatoire européen de l'audiovisuel pour la Commission européenne révèle que les films d'animation représentent 14,7 % de toutes les entrées en salles pour des oeuvres européennes, mais ne représentent que 20 % du marché de l'animation en Europe. Les 44 films US...

Origin and availability of on-demand services in the European Union

12/04/2016 Author: Gilles FONTAINE and Agnes SCHNEEBERGER, European Audiovisual Observatory

This note provides an overall background of the on-demand audiovisual media services landscape by focusing on a) the availability of services in the EU28 and b) on the country of origin of services.

Origin and availability of television services in the European Union

12/04/2016 Author: Agnes SCHNEEBERGER, European Audiovisual Observatory

This note provides an overall background of the linear media services landscape in the 28 EU countries by focusing on a) the country of origin of services, b) the availability of services and c) the television viewing time of the overall and younger population.

Trends in linear television revenues

12/04/2016 Authors: Gilles FONTAINE, European Audiovisual Observatory

Linear audiovisual services increasingly tend to propose non-linear derived versions whose revenues are not necessarily accounted separately

Investments in original content by audiovisual services

12/04/2016 Authors: Deirdre KEVIN, European Audiovisual Observatory

This brief provides analysis of two sets of data: an overview over time (2009-2013) of the levels of investment of the main TV groups in 15 countries in original programming; and a brief overview of the growth of investment (by a range of players) in original online content.