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European Audiovisual Observatory publishes new free study
Media freedom in Russia – how is this protected by law?
In June 2010 the Russian Supreme Court adopted for the first time in its history a Resolution which provided ‘interpretive guidelines’ on which Russian judges could base their work in relation to mass media, editors and journalists. But how have these guidelines developed since 2010, particularly...
One third of all television channels and on-demand services established in the EU specifically target foreign markets
An increasing number of audiovisual media services target foreign national markets. Typically, these tend to be recently-emerged hubs from which broadcasters and on-demand service providers circulate services. In some cases these constitute a significant market power in the respective target...
Only 16% of Europe’s film heritage collections has been digitised
On the occasion of the opening of the Cinema Ritrovato festival – one of the major events for cinephiles across the world taking place every year in Bologna, Italy - the European Audiovisual Observatory has just released a new study on the access to film works contained in Europe’s Film Heritage...
European films make up one third of all films promoted on VoD platforms in Europe
European Audiovisual Observatory publishes new VoD study focusing on the visibility and promotion of films on VoD platforms Recent films (produced in 2015 or 2016) were allocated in average 93% of all available promotional spots[1]. The allocation of “promotional spots” is heavily concentrated:...
UK TV programmes make up the lion’s share of EU TV content available on Netflix and iTunes, followed by France and Germany
A. TV content in the catalogues of Netflix and Apple’s iTunes The main European countries of origin for EU 28 TV content in Netflix’s catalogues are the United Kingdom with 160 titles (or 44% of the total EU28 TV titles available in the 8 Netflix catalogues studied), France with 72 titles (20%)...
Creators in Europe’s Screen Sectors – Sketching Present and Future Challenges - 7 June 2022
The European cinema sector - diverging paths? - 20 May 2023
FOCUS 2022: Key Trends in the Film Sector
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