European film industry
This report is the result of a collaboration between the European Audiovisual Observatory and the European Film Agency Research Network (EFARN). It aims to provide figures on European theatrical fiction film funding, offering a pan-European perspective to complement work done at national levels.
The EFARN brings together researchers actively involved in the collection, analysis and publication of data on the European film industry. This 15th anniversary publication presents a selection of studies from its members, giving an overview of current research topics, from VOD to gender statistics.
This report provides the key figures on: The weight of the UK within the EU audiovisual market; Co-productions between the UK and other EU28 countries; Import/ export of films between the UK and other EU28 countries; The circulation of audiovisual services between the UK and the EU.
This report presents the evolution of online video sharing, the main players, and the relationships with the programmes’ creators. It analyses the usage of video sharing platforms and their business models. It discusses the potential impact on the audiovisual sector.
"Focus 2018" contains all key figures of the film industry in the most important countries. It provides a concise analysis of results and tendencies country by country, together with recent figures.
This report defines international film co-production, describing the different legal instruments thereof available in Europe. Statistics on co-production volume, admissions and circulation of European co-productions through the different release windows (overall and by country) are also provided.
Recognized by professionals and decision-makers across the audiovisual industries, this publication provides the analysis and intelligence necessary to gain a comprehensive overview of recent key trends in the audiovisual sector.
This report gives an overview of the origin of films in TVOD and SVOD catalogues in Europe.
Commissioned by the European Commission, the analysis measures the Eastern European population with access to cinema theatres within a given catchment area, as well as the number of cinemas, theatres and screens by country. Moreover, it addresses the issue of cross-border cinema attendance.