In the audiovisual industry, as in other sectors, the increasing use of artificial intelligence is likely to herald a paradigm shift, as it can transform the entire value chain. This new report discusses the opportunities and challenges raised by AI in this sector.
How does Russian media law deal with media outlets owned by non-Russian players? This latest IRIS Extra report delves into foreign ownership of the media in Russia and the provisions for this in Russian audiovisual legislation.
This IRIS Special 2020-1 report contributes to the debate on the relationship between safeguarding media pluralism and effective competition in the age of digitisation and globalisation, especially with regard to new diversity-relevant phenomena in the digital platform economy.
With its comparative analysis of approaches taken in the context of the COVID-19 crisis, this IRIS Plus helps the reader understand the diversity of approaches, interests, and measures taken across the film and audiovisual sector, and the diversity of the bodies taking them.
The application of copyright rules attached to audiovisual works and their exploitation along the value chain are becoming increasingly complex. This new and very timely copyright report provides a pathfinder’s thread through European copyright rules.
This publication focuses in parallel on copyright and media regulation in order to take a closer look at the impact of the two leading concepts of “territoriality of copyright” and “country of origin” on the financing of audiovisual works in the digital single market.
This publication aims to analyse the system of self- and co-regulation provided for in the revised AVMSD.
This latest report clarifies the current release windows situation in Europe by providing a thorough analysis of the system and the economic and legal rationale on which it is based.
This report provides an in-depth overview of relevant issues, from the challenges of law enforcement in the online environment to the scope of intervention of competent public bodies concerning cross-border activities and the practices of regulatory authorities.
This publication provides an overview of many relevant issues concerning the co-production of films and other audiovisual works in Europe, including market figures, international and national rules, and funds supporting co-production.