Video and video on demand in Europe
How are European films and TV series promoted on VOD: key figures and detailed statistics by origin of content and categories of players.
The state of play of SVOD in Europe: subscribers, revenues, main players and trends.
The circulation of EU non-national films - A sample study: Cinema, television and transactional video on-demand
How do European films circulate in cinemas, TV and TVOD? This report presents a European overview and a country by country analysis of film exports and imports, including a focus on co-productions
The exploitation of audiovisual works, and films in particular, is traditionally based on two pillars: a release windows chronology, mainly agreed upon on a contractual level, with theatres being the first (usually exclusive) window and a territory by territory exploitation of rights.
This study examines the presence of EU content in Video-on-Demand services.
Focusing on the supply and circulation of TV channels and on-demand audiovisual media services in Europe, this new report outlines a) the country of origin of services b) the availability of services and c) those services targeting other countries.
Focusing on a selection of major pan-European groups in both the broadcast and the distribution markets, this new report outlines some of the key players, their geographical footprint, their position in a range of markets, and their most recent strategies regarding expansion, acquisition and...
How do films circulate on EU VOD services? How do films circulate in EU cinemas? How many theatrical release films make it to VOD? How does circulation in cinemas and VOD compare?
This note provides an overall background of the on-demand audiovisual media services landscape by focusing on a) the availability of services in the EU28 and b) on the country of origin of services.