2019 Press Releases
European Audiovisual Observatory publishes new report
This new publication looks at how Europe can protect and nurture the independent production sector, often a hotbed for ground-breaking new formats and approaches but whose financial existence is often precarious.
European Audiovisual Observatory publishes new free report on the visibility of European audiovisual works on transactional video-on-demand
This report finds that, overall, European films get access to promotion and prominence on VOD services. However, with less promotion per film than US films. Promotion efforts for European films are concentrated around a limited number of titles, and take place mainly in their country of origin.
European Audiovisual Observatory publishes new report on the place for European films on VOD.
In this new report, author Christian Grece has taken a sample of 77 pay-per-view (TVOD) catalogues and 45 subscription VOD (SVOD) catalogues available in the European Union in order to build this yearly analysis.
European Audiovisual Observatory publishes new free report on the origin of TV content in VOD catalogues in Europe
European TV series episodes make up 24% of all episodes on pay per view VOD and 19% on SVOD in Europe
The increased consumption of TV content on VOD services has prompted this ground-breaking new report on the origins of TV content in VOD catalogues in the EU.
European Audiovisual Observatory publishes new free report on the internationalisation of TV audience markets in Europe.
US groups are the driving force behind the increasing internationalisation of the European television sector
Based on data analyses of 2017 TV audience data by Eurodata TV Worldwide this brand new report, published by the European Audiovisual Observatory, explores the increasing internationalisation of the European television sector from three different angles.
New comparative study on film funding criteria in Europe
This report was commissioned by the MEDIA sub-programme of Creative Europe. The analysis covers funding for pre-production (script development, project development), production, distribution and promotion for cinema films, TV films and series as well as other audiovisual content.
European Audiovisual Observatory publishes a new report on pay audiovisual services (pay TV and SVOD) in Europe
This brand-new market intelligence report gives the big picture of the pay audiovisual services market in Europe and its development, providing key figures for both linear pay-television (pay-TV) and subscription video-on-demand (SVOD).
For the first time in four years, cumulative GBO in the EU Member States did not pass the EUR 7 billion benchmark in 2018. Not adjusted for inflation, this represents the lowest result since 2014; however, it remains the fourth highest level in the last decade.
LUMIERE VOD: launch of the first directory of European films to increase transparency concerning the VOD markets
This free access directory provides information on European films and their availability on-line in VOD services throughout the EU. It will provide greater transparency concerning the European VOD market and may even increase the presence, visibility and circulation of European films across borders.
New edition of the European Audiovisual Observatory’s KEY TRENDS now available for free on line
Key Trends our yearly digest of what’s hot in European media: TV, film and VOD. The Observatory outlines the big picture of the European audiovisual sector with this very readable round-up of the key data from Observatory research. The authors drill down into recent trends and hot issues.
Film financing – European strategies to boost cultural diversity
The conference will look at the following themes: how are today’s European films financed? Who are the new financial players? How does public policy channel money into film funds and financing mechanisms? How is the structure of film financing in Europe changing?
The European Audiovisual Observatory and the European Film Agencies Research Network (EFARN) have just launched a new database of film industry research and statistics which can be freely consulted on line.
European Audiovisual Observatory releases new report commissioned by the EFADs
Europe has been making great efforts to boost its TV and film content in European markets since the late eighties. Almost 30 years on, a range of measures exists to help. The Observatory has released a mapping report comparing measures aimed at promoting European film and TV programmes in Europe.
On the occasion of the 69th Berlin International Film Festival the Observatory releases its first estimates for European cinema attendance in 2018. After three years of above average levels, the Observatory estimates that total admissions in the EU decreased by 3.0% to 955 million tickets sold.
European Audiovisual Observatory releases new European film report
Research suggests that co-production films travel better than their national equivalents, crossing borders and reaching more international audiences. But co-productions can be risky. This report looks at the legal safeguards and frameworks which provide some ground rules for co-productions in Europe
European Audiovisual Observatory releases new report about the regulation of on-line media services
Regulating media services in this digital world ‘sans frontiers’ is an extremely complex challenge. High time, then, for our latest up-date on where media legislation stands.
Independent producers’ coordinator takes over European Audiovisual Observatory’s Advisory Committee Chair
The Advisory Committee of the Observatory has a new Chair. Elena Lai, Secretary General of the European Coordination of Independent TV Producers (CEPI), takes over from Johannes Studinger, Deputy Director of UNI-EUROPA, who held the position from 2015 – 2018.
The Strasbourg-based Observatory, has been providing facts and figures on the film, television and video industries in Europe since 1992. Each January a different Observatory member country takes over the yearly rotating Presidency. In 2018 the Presidency was held by France.