Video on demand in Europe
Audiovisual media in Europe: Localised, targeting and language offers
This report provides an overview of the European audiovisual media landscape by looking at the origin of linear and pay-on-demand audiovisual services and their circulation through three complementary angles.
Brexit in context: The UK in the context of the EU audiovisual market
This report provides the key figures on: The weight of the UK within the EU audiovisual market; Co-productions between the UK and other EU28 countries; Import/ export of films between the UK and other EU28 countries; The circulation of audiovisual services between the UK and the EU.
Online video sharing: Offerings, audiences, economic aspects
This report presents the evolution of online video sharing, the main players, and the relationships with the programmes’ creators. It analyses the usage of video sharing platforms and their business models. It discusses the potential impact on the audiovisual sector.
Yearbook 2017/2018 - Key trends
Recognized by professionals and decision-makers across the audiovisual industries, this publication provides the analysis and intelligence necessary to gain an overview of recent key trends in the audiovisual sector. This year, the focus is on France, the Observatory Presidency country in 2018.
The origin of TV content in VOD catalogues - 2017 Edition
This report gives an overview of the origin of TV content in TVOD and SVOD catalogues in Europe.
The visibility of films and TV content on VOD
How are European films and TV series promoted on VOD: key figures and detailed statistics by origin of content and categories of players.
Trends in the EU SVOD market - 2017 Edition
The state of play of SVOD in Europe: subscribers, revenues, main players and trends.
The circulation of EU non-national films - A sample study: Cinema, television and transactional video on-demand
How do European films circulate in cinemas, TV and TVOD? This report presents a European overview and a country by country analysis of film exports and imports, including a focus on co-productions
VOD distribution and the role of aggregators
The exploitation of audiovisual works, and films in particular, is traditionally based on two pillars: a release windows chronology, mainly agreed upon on a contractual level, with theatres being the first (usually exclusive) window and a territory by territory exploitation of rights.
Origin of films and TV content in VOD catalogues in the EU & Visibility of films on VOD services
This study examines the presence of EU content in Video-on-Demand services.
Online access to the tables & graphs of the Observatory's Yearbook
Database on admissions to films released in Europe
Database on TV and on-demand audiovisual services and companies in Europe
The European film directory on European films available on VOD services in Europe