The Department for Market Information provides statistical and economic analysis of the trends in the European cinema, television, video and internet sectors. It also produces intelligence on the means of financing of these various sectors.
Update 2015 and Focus on programmatic advertising.
Typology and qualitative analysis.
This report focuses on the theatrical exploitation of European films outside Europe. Theatrical window is only one out of – broadly speaking – four market segments.
This brief provides an analysis of films programmed by a sample of 125 TV channels from 17 European Union (EU) countries for two seasons: 2011‐2012 and 2014‐2015.
The report covers the 4 existing public support mechanisms designed to foster the film and audiovisual sectors, defining the characteristics and current use of each: public funds, fiscal incentives, obligations for broadcasters to invest in film and audiovisual content and guarantee facilities.
The European Audiovisual Observatory publishes a new report edited by Nevafilm Research: "Film Production and Co-Production in Russia, and the Export of Russian Films Abroad". The report takes the pulse of the Russian cinema industry and looks at its capacity to co-produce with other countries,...
The European Audiovisual Observatory has released a study - commissioned by the European Union - on film heritage works and their presence online.
Focusing on the supply and circulation of TV channels and on-demand audiovisual media services in Europe, this new report outlines a) the country of origin of services b) the availability of services and c) those services targeting other countries.
Focusing on a selection of major pan-European groups in both the broadcast and the distribution markets, this new report outlines some of the key players, their geographical footprint, their position in a range of markets, and their most recent strategies regarding expansion, acquisition and...
How do films circulate on EU VOD services? How do films circulate in EU cinemas? How many theatrical release films make it to VOD? How does circulation in cinemas and VOD compare?