The Department for Market Information provides statistical and economic analysis of the trends in the European cinema, television, video and internet sectors. It also produces intelligence on the means of financing of these various sectors.
Focusing on the supply and circulation of TV channels and on-demand audiovisual media services in Europe, this new report outlines a) the country of origin of services b) the availability of services and c) those services targeting other countries.
Focusing on a selection of major pan-European groups in both the broadcast and the distribution markets, this new report outlines some of the key players, their geographical footprint, their position in a range of markets, and their most recent strategies regarding expansion, acquisition and...
How do films circulate on EU VOD services? How do films circulate in EU cinemas? How many theatrical release films make it to VOD? How does circulation in cinemas and VOD compare?
The FOCUS 2016 presents the latest trends on all the major film markets around the world regarding film production and distribution as well as admissions.
This report is based on work carried out for the European Commission in 2015 and looks at the way in which national systems prioritise the delivery of certain types of television content over distribution platforms.
A new study carried out for the European Commission by the European Audiovisual Observatory finds that while animation films represent 14.7% of overall admissions to European works, European animation only holds 20% of the animation market in Europe. The 44 US films on release indeed accounted...
This note provides an overall background of the on-demand audiovisual media services landscape by focusing on a) the availability of services in the EU28 and b) on the country of origin of services.
This note provides an overall background of the linear media services landscape in the 28 EU countries by focusing on a) the country of origin of services, b) the availability of services and c) the television viewing time of the overall and younger population.
Linear audiovisual services increasingly tend to propose non-linear derived versions whose revenues are not necessarily accounted separately
This brief provides analysis of two sets of data: an overview over time (2009-2013) of the levels of investment of the main TV groups in 15 countries in original programming; and a brief overview of the growth of investment (by a range of players) in original online content.
Online access to the tables & graphs of the Observatory's Yearbook
Database on admissions to films released in Europe
Database on TV and on-demand audiovisual services and companies in Europe
The European film directory on European films available on VOD services in Europe