This report examines how the EU Directive 2019/790 on Copyright and Related Rights in the Digital Single Market (CDSM Directive) aims to strengthen the position of authors and performers when licensing their exclusive rights for the use of their works or performances.
This new report explores current EU legislation and market practice concerning release windows and territoriality.
This report by the European Audiovisual Observatory describes the rules concerning financial obligations for VoD services in the EU with a close look to the national transposition of the AVMS Directive. (This is an updated version of the report originally published on 18/05/2022)
The report examines the current challenges facing National Regulatory Authorities and asks how cooperation between the various NRAs can strengthen their mission.
From 1 January 2021 the relations between the UK and the European Union are governed by a Trade and Cooperation Agreement, as a result of the deal that was reached in the very last days of 2020. These new rules will affect every economic sector, including the audiovisual.
In the audiovisual industry, as in other sectors, the increasing use of artificial intelligence is likely to herald a paradigm shift, as it can transform the entire value chain. This new report discusses the opportunities and challenges raised by AI in this sector.
How does Russian media law deal with media outlets owned by non-Russian players? This latest IRIS Extra report delves into foreign ownership of the media in Russia and the provisions for this in Russian audiovisual legislation.
This IRIS Special 2020-1 report contributes to the debate on the relationship between safeguarding media pluralism and effective competition in the age of digitisation and globalisation, especially with regard to new diversity-relevant phenomena in the digital platform economy.
With its comparative analysis of approaches taken in the context of the COVID-19 crisis, this IRIS Plus helps the reader understand the diversity of approaches, interests, and measures taken across the film and audiovisual sector, and the diversity of the bodies taking them.