From 1 January 2021 the relations between the UK and the European Union are governed by a Trade and Cooperation Agreement, as a result of the deal that was reached in the very last days of 2020. These new rules will affect every economic sector, including the audiovisual.
In the audiovisual industry, as in other sectors, the increasing use of artificial intelligence is likely to herald a paradigm shift, as it can transform the entire value chain. This new report discusses the opportunities and challenges raised by AI in this sector.
How does Russian media law deal with media outlets owned by non-Russian players? This latest IRIS Extra report delves into foreign ownership of the media in Russia and the provisions for this in Russian audiovisual legislation.
This IRIS Special 2020-1 report contributes to the debate on the relationship between safeguarding media pluralism and effective competition in the age of digitisation and globalisation, especially with regard to new diversity-relevant phenomena in the digital platform economy.
With its comparative analysis of approaches taken in the context of the COVID-19 crisis, this IRIS Plus helps the reader understand the diversity of approaches, interests, and measures taken across the film and audiovisual sector, and the diversity of the bodies taking them.
The application of copyright rules attached to audiovisual works and their exploitation along the value chain are becoming increasingly complex. This new and very timely copyright report provides a pathfinder’s thread through European copyright rules.
IRIS Themes - Vol. III - Freedom of Expression, the Media and Journalists. Case-law of the European Court of Human Rights (2020 edition)
This revised edition contains summaries of over 300 judgements or decisions by the Court and provides hyperlinks to the full text of each of the summarised judgements or decisions. The summaries included in the e-book can be retrieved from our legal database, IRIS Merlin.
This publication focuses in parallel on copyright and media regulation in order to take a closer look at the impact of the two leading concepts of “territoriality of copyright” and “country of origin” on the financing of audiovisual works in the digital single market.
In the audiovisual industry, as in other sectors, the increasing use of AI is likely to announce a paradigm shift. The EAO decided to take a closer look at these effects and devoted its annual workshop in December to discussing the opportunities and challenges raised by AI in the audiovisual sector.
This publication aims to analyse the system of self- and co-regulation provided for in the revised AVMSD.