Markets
The internationalisation of TV audience markets in Europe
This report examines the increasing internationalisation of the European TV sector from three different angles : concentration and fragmentation tendencies in national audience markets, the market power of non-domestic TV channels in national markets, and the growing footprint of US groups.
Pay AV services in Europe: the state of play
An analysis of the pay audiovisual services market with a keen eye on the interactions between pay-TV and SVOD.
FOCUS 2019 - World Film Market Trends
Already in its 22nd edition the FOCUS is commissioned from the European Audiovisual Observatory by the film market organiser at the Cannes Film Festival, the Marché du Film.
The circulation of European films outside Europe - Key figures 2017
An analysis of the theatrical exploitation of European films outside Europe, including country profiles of the main export countries.
The visibility of audiovisual works on TVOD - 2018 edition
Latest figures on the promotion of films and TV content by transactional VOD services
TV content in VOD catalogues - 2018 edition
Latest figures on the origin and circulation of TV content in TVOD and SVOD catalogues
Films in VOD catalogues - Origin, circulation, age – 2018 edition
Latest figures on the origin, circulation in Europe and age of films in TVOD and SVOD catalogues in Europe.
The production and circulation of TV fiction in the EU28 - 2018 edition
Latest figures on volume of TV fiction production in Europe, including analysis of country of origin, main producers and broadcasters, circulation on television and on VOD.
Yearbook 2018/2019 - Key trends
This fourth edition of the 'Key trends' Yearbook offers a broad array of insights and data on the European audiovisual market. The focus this year is on Italy - Presidency country of the Observatory in 2019 .
From cinema to VOD: a case study of recent films
New analysis from the Observatory on the release of films in cinemas and on VOD. Focusing on recent films, the analysis addresses research questions such as: What is the status of “films” in VOD catalogues as regards their release in cinemas?